domingo, 20 de dezembro de 2009

True Love Travels On A Gravel Road

How many girls choose cotton dress worlds
When they could have satins and lace
And stand by her man, never once letting shade touch her face
How many hearts could live through all the winters
We've known and still not be cold
True love travels on a gravel road.
Love is a stranger and hearts are in danger
All through streets paved with gold
For true love travels on a gravel road.
Down through the years we've had hard times and tears
But they only helped our love grow
And we'll stay together no matter how strong the wind blows
Not once have I seen your blue eyes filled with envy
Or stray from the one that you hold
Oh true love travels on a gravel road.
Love is a stranger and hearts are in danger
All through streets paved with gold
For true love travels on a gravel road.
Yeah, true love travels on a gravel road. Mmmm
True love travels on a gravel road.
True love travels on a gravel road.
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Wearing That Loved On Look


I had to leave town for a little while,
You said you’d be good while I’m gone,
But the look in your eye dun told me you told a lie,
I know there’s been some carryin’ on.

Baby, You’re wearin’ that loved on look, Shoop, shoop, shoop, shoop
Baby, You’re wearin’ that loved on look.

The ash trays are all full of ashes,
The floor needs a touch of the mop,
There’s a man downstairs with a long bushy hair,
He said your party was a three day rock.

Baby, You’re wearin’ that loved on look, Shoop, shoop, shoop, shoop
Baby, You’re wearin’ that loved on look.

Baby if you ever loved me,
Then Bonnie and Clyde loved the law,
Well a bird can’t fly and I don’t like apple pie,
And trees won’t grow in Arkansas.

Baby, You’re wearin’ that loved on look, Shoop, shoop, shoop, shoop
Baby, You’re wearin’ that loved on look.

I had to leave town for a little while,
You said you’d be good while I’m gone,
But the look in your eye dun told me you told a lie,
I know there’s been some carryin’ on.

Well - Baby, You’re wearin’ that loved on look,
Yeah - Baby, You’re wearin’ that loved on look
Yeah – Baby

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Elvis: Vegas '69 - 200 page hardback book





Elvis: Vegas '69 a new 200-page hardback book, packed with over 150 stunning full color and B&W images, that commemorates the 40th anniversary of Elvis' historic return to live performance is to released. Written by Ken Sharp, author of the critically acclaimed FTD book, Writing For The King, the book tells the remarkable story of Elvis' return to the concert stage told through first-hand accounts by those lucky enough to be on hand to witness Elvis' miraculous artistic and creative rebirth.
Culling 100 new interviews, the 60,000 word text offers a gripping account of this seminal event told by the people who were there including Priscilla Presley, Elvis' TCB bandmates, the Sweet Inspirations, the Imperials, the Memphis Mafia, celebrities in attendance, International hotel personnel including owner Kirk Kerkorian, hotel President Alex Shoofey, publicity and showroom staff, security, international media and much more.
Learn the backstory behind what led to Elvis' triumphant return to live performance. You'll go behind closed doors with Elvis and the band in pre-show rehearsals and revel in the excitement and anticipation of opening night. We'll also exhaustively chronicle the opening show on July 31, 1969 through the eyes of the people that were there, press conference, after show celebration and more.
Packed with over 150 stunning full color and B&W images, many culled from the Graceland archives, vintage Vegas/Elvis concert memorabilia, a '69 show index and much more, the book will transport the reader back to the Strip for one of the most electrifying moments in Elvis' monumental career.
Join us for a front row seat ...
Elvis : Vegas '69 -- July 31, 1969 marks a historic milestone in Elvis' career. Bolstered by the runaway success of the '68 Comeback show and energized by productive recording sessions at American Sound Studios, which would spawn such timeless hits as 'Suspicious Minds', In The Ghetto' and 'Don't Cry Daddy', Elvis launched his return to live performance at Las Vegas's International Hotel in the summer of 1969.
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Interview with Elvis Presley: The February 1970 Press Conference



The Houston Astrodome was chosen by Colonel Parker to be the first venue for Elvis to perform outside Las Vegas. This was done for several reasons, but none of them was because the place was suitable for a show of the kind Elvis held. 'The Dome' was an enormous hall, built in 1965, the least of its functions being for concerts. Parker was possibly unsure of Elvis' status in the wider world - performing in Las Vegas was something quite different from performing in venues which could seat far larger audiences. The rodeo show at 'The Dome' always attracted thousands of people no matter what...

After the concluding show Elvis held a press conference for about 100 journalists at Astroworld.

He declared that he got a big thrill out of the appearance in 'The Dome'.

Elvis checked out of Astroworld wearing a blue Easy Rider-inspired suede jacket and black trousers, taking with him 20 suitcases and 3 guitars - $1.2 million richer than 3 days earlier.

Q: What made you decide to come to Texas?

Elvis: Well, to tell you the truth, I started out here in Texas. I think the first shows that I worked was down here, around Houston, and all over Texas.

Q: Do you remember what locations you worked here in Texas?

Elvis: Well, I worked Houston, worked Corpus Christi, every little town here… Long View, man, you name it, I've been there, really.

Q: What do you think of Texas?

Elvis: I like it, I like it… really enjoy it.

Q: Elvis, can you give us, I understand with all the big engagements, like Las Vegas, etc… the reason why you selected the Houston Live Stock Show and Rodeo this year?

Elvis: Well, uh… they asked me to do it and I was anxious to do some live appearances, you know. I haven't… it had been a long time since I'd been on stage in front of anybody live and I was anxious to do some live appearances and I thought it would be a good opportunity to get in front of the people.

Q: You ever seen the inside of the Dome before?

Elvis: Never have. It scares the (laughs)… it's a big place, man, you know.

Q: You've been known as the King of Rock'n'Roll. Do you think your style has changed now from the days when you were King or do you consider that's still your style?

Elvis: I think the overall thing has improved.

The overall sound has improved, I mean, I think it… it's according to the songs, you know.

It's just according to the songs.

Q: Is your stage presentation still the same way it was or have you improved on that?

Elvis: Well, I just do whatever I feel on stage, you know, I always did that.


Q: Are you going to keep making films?

Elvis: Hope to. (Laughter) Well, I'd like to make better films and…

Q: What do you mean by better?

Elvis: Better than the ones I made before.

Q: I mean, playing general types, westerns, or romances.

Elvis: (Coughs) Excuse me. I can't take this fresh air, man. I'm used to the garbage can at the International Hotel, man. (Laughter) If I can't smell some garbage, I don't feel at home, man, I tell you. (Coughs)

Q: Do you have any films in the making right now or any planned?

Elvis: No, there's nothing as far as I know, is there Colonel? Anything in the workings?

Colonel Parker: No I can't predict myself.

Elvis: An 8mm Walt Disney Special we're doing next year, I think… I don't know.

There's nothing as far as I know, no.

Q: When you look at your opportunity, what will you do to try to fill up the Astrodome?

Elvis: Well, it'll be the type of stuff that I do. It's a mixture of things, you know. It's a little rock and a little country and western stuff…

Q: Essentially the same stuff that you did at the International Hotel?

Elvis: Yeah, it the same type of thing.

A lot of different type of songs, so I just hope I can put on a good show, mainly.

Q: Whatever happened to the Jordanaires?

Elvis: Can't get them out of Nashville, man. They got stuck in Nashville and they make so much money and they do so well in Nashville, you can't get them out of there, you know.

Q: Do you have any thoughts about the rising interest in country music?

Elvis: I think it's fantastic. You see, country music was always a part of the influence on my type of music anyway. It's a combination of country music, gospel, and rhythm and blues. It's all combined, is what it really was. As a child, I was influenced by all of that.

Q: Do you consider yourself basically a country music singer then?

Elvis: I would hate to say strictly country because of the fact that I liked all different types of music when I was a child, you know. Of course, the Grand Ole Opry was the first thing I ever heard, probably, but I liked the blues and I liked the gospel music, gospel quartets, and all that.

Q: Do you ever pull out any of those old records on the Sun label and listen to them at all?

Elvis: They sound funny boy. (Laughing) They got a lot of echo on them, man, I'll tell you. But that's what I mean, I think the overall sound has improved today, you know.

Q: Well, do you think there's more gimmicks today than there were, say fifteen years ago?

Elvis: Well, there's probably more gimmicks, but I think that the engineers have improved and I think that the techniques have improved, of overall recording.

Q: Consideration… further revaluation of your career to get you back in front of live audiences again. In other words, you were available to the public only in your films for a long period of time.

Elvis: I think the most important thing is the inspiration that I got from a live audience. I was missing that.

I didn't…

Q: Was it rough at the International? Was it a little bit of a strain on you after not being on programs?

Elvis: It was always terrible. I enjoyed it. Like, I know I'm going to enjoy it here because it's a live audience and it makes a world of difference.

Q: Let me ask you one thing. What's your father up to these days?

Elvis: He's around here somewhere… Ask him, I don't know Daddy, what are you up to?

Colonel Parker: Mr Presley… Mr Presley? Want you to meet Elvis' father, Mr Vernon Presley.

Q: Could he come right up here and sit down?

Elvis: (Coughs) It's this fresh air, man.

Q: Elvis, there's quite an evidence of sartorial splendour. Does this indicate that the…

Elvis: What? What?

Q: The attire is not one that we're familiar seeing.

Elvis: It was taken from a karate suit, just a regular karate type outfit. (Siren in background) Are they coming to get me? Is that it? (Laughter).

Q: I mean, does this indicate that with your type dress and everything now that you're changing a little bit of style perhaps, in deference to what you did a few years ago?

Elvis: I don't know. I think that you'd have to see the show, you know. It's difficult to tell. I don't feel any different, you know. I don't think the dress has that much to do with it, I got the idea from a karate suit cause I studied karate for a long time and I had them make up a couple of suits like it.

Q: What do you do for relaxation? You said you studied…

Elvis: Karate! If you can relax doing this (Does a few karate chops in the air) I don't know, I read a lot and go horseback riding, and stuff like that.

Q: Do you still live principally in ah…

Elvis: Memphis! About half of the time, about half of the time there and half of the time in LA.

Q: In that show you have planned for the Dome, do you plan any of the old, old songs, some of the first ones?

Elvis: I'd like to, you know…

Q: Any special ones?

Elvis … Try a couple of them, just to see if they work. I hope I can give them a good show, that's the most important thing… if I can give them a good show then I'll feel like I've done something.

Q: What is the biggest live crowd you've ever performed for?

Elvis: If I am not mistaken, it was Vancouver in Canada, wasn't it Colonel?

Colonel Tom Parker: The Cotton Bowl

Elvis: The Cotton Bowl in Dallas. It was about 25,000 I guess, something like that. I think


Elvis Presley ArticleInterviews By Scott Jenkins

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Interview with Elvis Presley + Review of Elvis in concert July 31, 1969


This is the review of Elvis' first concert at the International Hotel on July 31, 1969.

It was written by Ray Connelly and originally published in the London Evening Standard August 2, 1969. Included with the review is an exciting interview with The King, again by Ray Connelly.

Review of Elvis In Concert - July 31, 1969

For a reputed fee of £225,000 the god of rock and roll returned to the stage in a blaze of advertising at the brand new International Hotel in this hot and lunatic town of Las Vegas. I've already seen the show three times and I can tell you he is sensational - better than any of us could ever have imagined.


Elvis Presley July 31, 1969 International Hotel, Las Vegas

Twice nightly for 28 days he will be appearing for the rich and their womenfolk. 'It is, 'he says, 'the most exciting thing I've done in years'. But it was the first appearance on the first night that had all the drama.

He was out of this world, better by far than I - always the greatest Presley fan in world - could possibly have hoped for, and a lesson in himself to the entertainment media of our generation.

For a full hour he worked and sweated, gyrated and shuddered, warbled and sang, and grunted and groaned his way through 20 songs. It was a sensational comeback.

Looking as slim as a ramrod, and not a day over 23 (he's actually 34 now), he ambled back on to the stage after a nine year absence like a sheepish young lad going to meet his girl friend's parents for the first time. Hardly daring to look or acknowledge the audience,which was composed mainly of over-30's, since young people could never normally afford the price, he went straight into Blue Suede Shoes, and had completed I Got A Women and That's All Right Mama before finding it necessary to begin any chatting.

For over an hour he flogged himself to near exhaustion moving wildly and sexily around the stage all the time, and now and again reaching for a handkerchief or a glove from the ecstatic and many-splendoured ladies in the front row. Although his early fans are grown up and mothers themselves now, Elvis has remained the boy from the South - awkward, shy, full of evil promise and a dynamic performer.

As backing, a group of girl singers, the Sweet Inspirations, joined with the Imperials to add strength to an outstanding six-man group on electric piano, drums, bass and three guitars.


Elvis Presley 1969 International Hotel, Las Vegas

The balancing of combo was perfect, and there was little need for the full 30-piece orchestra which helped out occasionally on some of the ballads like Love Me Tender and Can't Help Falling In Love (With You) and Yesterday.

It is difficult to describe the exact appeal of the man. True he is a great and rhythmic singer, but there's something more. His perfect looks and style add a charisma that is magnetic.

Having seen his show it is easier now to understand how became the legend that he is in pop music.

Surprisingly the biggest applause of the night, and it was generous always, came of a brand-new song called Suspicious Minds - his next record and almost certainly 51st million seller.

While his act is concentrated mainly on a selection of his own many hits he also found time to include some great versions of Ray Charles's I Can't Stop Loving You and Chuck Berry's Johnny B. Goode.

It was indeed a memorable night. The night when Elvis Presley, the founder of much of modern day pop music, discovered that he is still one of greatest performers and went back to doing what he always did best.

Interview with Elvis Presley - July 31, 1969

Getting to interview Elvis was a much more complex task than getting to see him - since the International Hotel anxious for lots of publicity during its first few weeks of business was being particularly generous to journalists who had flocked from all parts of world to see if Presley was as exciting as his memory.

Immediately after his first show he gave a Press conference, guarded carefully by the Colonel, and during which he was only once thrown when someone asked him why he always dyed his hair ('I guess it's something I've always done . . . I guess', he said). But after three days and nights of refusing to let me see his star, the Colonel finally changed his mind (as I'd been told he would) and gave me five minutes to get ready.

We were in between shows and suddenly I was ushered backstage past the guards and into his dressing room. I'd have to make it quick, said the Colonel. An hour later I was back in my room telephoning this article over for the first edition of my paper the following morning.


Elvis Presley 1969 - Backstage The International Hotel, Las Vegas

'Sometimes when I walk into a room at home and see all those gold records hanging around the walls I think they must belong to another person. Not me. I just can't believe it's me' - Elvis Presley.

This is the legend himself talking. The man who virtually started the rock and roll group as we know it today. The man who changed the course of pop music, and in so doing helped to change the course of social history.

Because that, and exactly that, has been the influence of Elvis Presley - the boy from Tupelo, Mississippi, who has probably had more hit records than anyone else in the world. (At the last count it was well over 70 - with 50 of those selling more than a million copies.)

Getting through to Presley is practically impossible. security guards with guns and walkie-talkie sets shadow him day and night, and it took an interminable amount dealing with his extremely canny manager, Colonel Tom Parker, to be given the VIP treatment and meet the man they created into a legend.

And when one gets through how does one speak to a legend?


Elvis Presley 1969 - Backstage The International Hotel, Las Vegas

He's sprawling on a red Spanish settee in the sitting room of his back-stage suite, sipping a soft drink from a bottle. The walls are plastered with telegrams (including one from the Beatles).

He's wearing the black karate-style suit designed for his season at the hotel, and his hair, dyed pitch-black as always, is swept back off his face in the style he created 14 years ago. His sideboards are now very long and spiked again, and are also jet-black.

He is incredibly handsome, with possibly the best film profile since Rudolph Valentino. Fittingly enough, he would pass for a stereotyped Las Vegas gambler in a movie. But, he says, he never gambles himself.

Still the Southern gentleman, he rises to greet me with an almost athletic enthusiasm, then rubs his great wide rings which are virtually clustered with diamonds against a silver wrist bracelet bearing his name. he looks ever so slightly nervous. The room is scattered with aides and friends. There are no women present. Priscilla Presley, the Memphis girl Elvis married two years ago, is up in the 30th floor penthouse suite. Baby Lisa, 18 months old, is at one of their homes in California.

The Colonel watches his creation like a benign mother, only interrupting when money arises. There is a story, it may be a myth, that says he takes 50 per cent of what Elvis earns. If that is true, he must be a multi-multi-millionaire by now and worth every penny of it to Presley.

'We didn't decide to come back here for the money, I'll tell you that', laughed Elvis, at such an absurd prospect, for after all, what's another £225,000 to him? 'I've always wanted to perform on the stage again for the last nine years, and it's been building up inside of me since 1965 until the strain became intolerable. I got all hyped up about it, and I don't think I could have left it much longer'. 'The time is just right. The money - I have no idea at all about that. I just don't want to know. You can stuff it'.

He laughs, and throws his head back, showing all those perfectly-kept teeth, and striking me with the smallness of his eyes and the exaggerated length of his eyelashes.

'Can we just say this', says the Colonel, all homespun, folksy humour. 'The Colonel has nothing to do with Mr. Presley's finances. That's all done for him by his father, Mr. Vernon Presley, and his accountant'.

Mr. Presley, Snr., a fatter and greyer version of his son, if ever saw one, nods at the formal third person way of speaking and takes another beer from the bar. 'He can flush all his money away if he wants to. I won't care', the Colonel adds. the humour easy, and good-natured - country style, if you like.

'We've now completed all the deals I made when I came out of the army in 1960', he says, almost apologetically. 'And from now on, I'm going to play more serious parts and make fewer films.

'I wouldn't be being honest with you if I said I wasn't ashamed of some of the movies, and the songs I've had to sing in them. I would like to say they were good, but I can't. I've been extremely unhappy with that side of my career for some time. But how can you find 12 good songs for every film when you're making three films a year? I knew a lot of them were bad songs and they used to bother the heck out of me.

But I had to do them. They fitted the situation'.

'I get more pleasure out of performing to an audience like tonight, than any of the film songs have given me. How can you enjoy it when you have to sing songs to the guy you've just punched up?'

And there's more laughter - the black calf-high cowboy boots he wears being swiveled up and around on to the table in front of him. 'How do you combine marriage and show business?' I asked. He pauses and smiles: 'Very carefully - just very carefully'. 'Did your wife object to you returning to being a sex symbol?'

'No. We plan a big family. When you're married you become aware of realities.

Becoming a father made me realise a great deal more about life'.

But marriage hadn't reduced the sexiness of his act. His left knee still trembles when he sings, his guitar still becomes a sort of phallic tommy-gun, while with the microphone he appears to simulate an act of rape.

And then there are his off-the-cuff on-stage comments which are full of ambiguities.

'Don't pull my cord, lady', he asks, as a fan reaches for the microphone lead.

On the first night of his performance a woman in the audience began stripping, overcome by the excitement.

Another took off her panties to mop the sweat from his brow.

He gratefully accepted them, his face in the frills and tossed them back. After the show young women climbed up on to stage to neck with their idol as the curtains fell.

It was this threat of sexuality which 14 years ago prompted clergymen to call for his banning and imprisonment, and won him title of Elvis the Pelvis. In those days his hip-jerking was considered total obscenity. His clothes were of gold, like his Cadillacs, and his image was one of unchained anti-respectful youth.

If you want to go any way at all towards understanding the music and corresponding sub-cultures of the under-30s, you have to know about Elvis Presley. He was the beginning of the rock generation. And after the startling impact he made in 1956, nothing could ever be the same again.

In England the fans have been particularly avid. 'I don't know why they've been so loyal', he says. 'They've really been fantastic to me. I still can't believe all the letters that come in after all this time'.

'I know I've been saying for years that I must visit Britain, and I will, I promise. But at the moment there are personal reasons why I can't. I shall be doing more shows in America now, though. I'm very satisfied with the reaction I've had here. It's been tremendously satisfying. That's what the business is all about for me. There will be films, too, but of a more serious nature. And I'll be making another television show for NBC'.

He's thinner now than he's been for years and the workout he does every night on stage is bringing his weight down even more. He looks like a man in his early twenties.

'I don't understand it', he said, in his slow deep drawl. 'People keep telling me I look young. I don't know how I do it, either. I got very heavy at one time when I was in all those movies, but I lose it quickly, you know'.

He is unbelievably friendly and unaffected. Once the barrier is broken down you won't find a legend, just an ordinary, helpful, warm and co-operative young man. He tries hard to answer the questions, but is floored when I asked him to name someone he'd rather be.

'I can't', he says.

He's also a shy man. He has few friends in show business - Tom Jones being the closest to him by a mile.

'I guess I'm just a boy from the South and I've never been connected with show people.

I have my own friends'.

But he remembers well the meeting he had with the Beatles during Beatle mania, and particularly their road manager, Mal Evans. 'I've recorded Hey Jude', he says. 'They're are so interesting and so experimental. But I liked them particularly when they used to sing She Was Just Seventeen. You Know What I Mean' - and he sings, and plays an imaginary guitar, Lennon-style.

'Did you see the telegram they sent me?' You can see Elvis Presley is very proud.

The pop world has changed overnight with the reappearance of the man they know the King. Mark my words - He's going to be immense all over again'.

By Ray Connelly and originally published in the London Evening Standard August the 2. 1969



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Official Elvis Presley Day Proclamation and Ceremony.





The ceremony will take place on the front lawn of Graceland on January 8 and will include special guests Priscilla Presley, Memphis Mayor AC Wharton, Memphis City and Shelby County representatives and Elvis fans from around the world. The Elvis Birthday Proclamation Ceremony will end with the cutting of Elvis’ 75th birthday cake. The organizers are asking fans to participate in choosing the cake that will be part of Elvis' 75th birthday ceremony. They have received Elvis-inspired 75th birthday cake designs from four master cakemakers for you to choose from. The winner of the online contest will create the cake for the January 8th Elvis Birthday Proclamation Ceremony. You can vote for your favorite cake design once a day by using the form at the bottom of the page. The contest runs December 7 - 14, 2009.
To vote click here:
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quinta-feira, 10 de dezembro de 2009

Elvis poem fetches amazing price at auction


A poem written on a scrap of paper by Elvis Presley has just sold for a staggering $20,035 at auction.
The handwritten poem, "Ode to a Robin", was featured in an auction of Presley's possessions at gottahaverockandroll.com.
The scrawled ditty, written on stationery paper, was well known among Presley's most dedicated fans.
Sometimes Presley recited it on stage and the poem was even believed to be on his answering machine at home.
The startling sale figure, though, is no surprise. The jumpsuit Presley wore at his legendary 1972 Madison Square gig fetched $212,588 at auction.
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Circle G Ranch





Elvis Presley fans can now own a property fit for the King.
The singing legend's famed Circle G Ranch near Memphis, Tennessee, is up for sale for $6.5million.
Presley owned the 155-acre ranch across the state line in Horn Lake, Mississippi from 1966 to 1971.
Elvis and his wife Priscilla honeymooned at the ranch in 1968.
The ranch is zoned for development and could see residential and commercial properties built on it.
So far realtor Rodger Motz has taken a string of calls from interested buyers, from as far away as Denmark.
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terça-feira, 24 de novembro de 2009

Elvis in 69



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Elvis Concert List - 1977

1977

February 12th Florida, Sportatorium. 15,500 fans. Elvis wore his "Indian Feather Jumpsuit"

"Hot Time In Florida" Recorded live in Miami, February 12, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen/I Got A Woman, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, All Shook Up, Teddy Bear/Don't Be Cruel, My Boy (one line), My Way, Little Sister, Help Me, Polk Salad Annie, Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, Band solo's, Love Letters, School Days, Hurt, Hound Dog, Funny How Time Slips Away, Unchained Melody, Can't Help Falling In Love, Closing Vamp.

February 13th West Palm Beach Auditorium. 5,981 fans. Elvis wore his "Rainfall Jumpsuit"

"Coming On Strong"Recorded Live At West Palm Beach, Florida, Febr 13, 1977. This CD contains the following tracks; Little Sister (Incomplete), You Gave Me A Mountain, Blue Suede Shoes, O Sole Mio/It's Now Or Never, My Way, All Shook Up, Teddy Bear/Don't Be Cruel, And I Love You So, Fever, Blueberry Hill, Hurt, Hound Dog, Jailhouse Rock, Can't Help Falling In Love. Montgomery, Alabama, Febr 16, 1977 You Gave Me A Mountain, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, My Way, Polk Salad Annie, Hurt, Hound Dog, Where No One Stands Alone, Unchained Melody, Can't Help Falling In Love.

February 14th St. Petersburg, Bay Front Center. 8,355 fans. Elvis wore his "Rainfall Jumpsuit"

February 15th Orlando, Sports Stadium. Elvis wore his "Indian Feather Jumpsuit"

February 16th Alabama, Garrett Coliseum. Elvis wore his "Rainfall Jumpsuit"

February 17th Savannah, Georgia Civic Center. Elvis wore his "Mexican Sundial Jumpsuit"

"From Fans To Fans" Recorded live at the Civic Centre, February 17, 1977, Sanannah, Georgia. This CD contains the following tracks; See See Rider, I Got A Woman/Amen, Love Me, Fairytale, Jailhouse Rock, You Gave Me A Mountain, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, Trying To Get To You, My Way, Polk Salad Annie, Band Intro, Early Morning Rain, What'd I Say, Johnny B.Goode, Love Letters, Hail! Hail! Rock 'n' Roll, Hurt, Hound Dog, Unchained Melody, Can't Help Falling In Love.

February 18th South Carolina, Carolina Coliseum. Elvis wore his "Indian Feather Jumpsuit"

"Release Me" Columbia, February 18th, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Love Me, Fairytale, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Trying To Get To You, Little Sister, Teddy Bear/Don't Be Cruel, Are You Lonesome Tonight, That's All Right, My way, release Me, What'D I say/Johnny B.Goode, Love Letters/Schooldays, Hurt, Hurt, Can't Help Falling In Love, Closing Theme.

February 19th Johnson City, Freedom Hall. 7,000 fans. Elvis wore his "King Of Spades Jumpsuit"

February 20 Charlotte, coliseum. 12,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

February 21 Charlotte, Coliseum. 12,000 fans. Elvis wore his "Indian Feather Jumpsuit"

"Release Me" Columbia, February 18th, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Love Me, Fairytale, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Trying To Get To You, Little Sister, Teddy Bear/Don't Be Cruel, Are You Lonesome Tonight, That's All Right, My way, release Me, What'D I say/Johnny B.Goode, Love Letters/Schooldays, Hurt, Hurt, Can't Help Falling In Love, Closing Theme.

"Riot In Charlotte" February 21, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Are You Lonesome Tonight, Reconsider Baby, That's All Right, Love Me, Moody Blue, You Gave Me A Mountain, Jailhouse Rock, It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, My Way, Release Me, Early Morning Rain, What'd I say, Johnny B.Goode, Love Letters, Hail! Hail! Rock 'n' Roll, Hurt, Why Me Lord, Can't Help Falling In Love.

"Moody Blue & Other Great Performances" (Fort Baxter Vol.8). Recorded live in Charlotte N.C., February 21, 1977. This CD contains the following tracks; Are You Lone some Tonight, Reconsider Baby, Love Me, Moody Blue, You Gave Me A Mountain, Jailhouse Rock, It's Now Or Never, Little Sister, Teddy Bear, Don't Be Cruel, May Way, Release Me, Hurt, Why Me Lord, Polk Salad Annie* , Where No One Stands Alone*, Unchained Melody*, Can't Help Falling In Love*.*(recorded in Montgomery, Ala. February 16, 1977)

March 23 Phoenix, 14,047 fans. Elvis wore his "Mexican Sundial Jumpsuit"

March 24 Amarillo, Texas Civic Center. 7,389 fans. Elvis wore his "King Of Spades Jumpsuit"

March 25 Oklahoma, Lloyd Noble center. 11,500 fans. Elvis wore his "Mexican Sundial Jumpsuit"

March 26 Oklahoma, Lloyd Noble Center. 11,500 Fans. Elvis wore his "King Of Spades Jumpsuit"

March 27 Abilene, Taylor County Coliseum. 7,500 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"King Time In Abilene" Recorded live in Abilene, March 27, 1977. This CD contains the following tracks; See See Rider, I Got A Woman/Amen, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, O Solo Mio/It's Now Or Never, Trying To Get To You, That's All Right, Are You Lonesome Tonight, My Way, Fever, How Great Thou Art, Band introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, Band solo's, Hail! Hail! Rock'n'Roll, Hurt, Hound Dog, Danny Boy (sung by Sherill Nielsen), Walk With Me (sung by Sherill Nielsen), Blue Sued Shoes, Lawdy Miss Clawdy, Can't Help Falling In Love, Closing Vamp.

March 28 Austin, Municipal Auditorium. 6,000 fans. Elvis wore his "King Of Spades Jumpsuit"

"Elvis Slips Into Austin" Recorded live in Austin, Texas, March 28, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Gota A Woman/Amen, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, That's All Right (incl false start), Steamroller Blues, Help Me, Fever, Band intro, Early Morning Rain, What'd I Say/Johnny B.Goode, Band solo's/Hail! Hail! Rock'n'Roll, Hurt, Hound Dog, Can't Help Falling In Love. Bonus tracks; Funny How Time Slips Away, If You Love Me (Let Me Know), You Gave Me A Mountain (all songs recorded in Norman, Oklahoma, March 25, 1977)

March 29 Louisiana, Rapides Parish Coliseum. 15,000 fans . Elvis wore his "Mexican Sundial Jumpsuit"

March 30 Louisiana, Rapides Parish Coliseum. 15,000 fans . Elvis wore his "King Of Spades Jumpsuit"

"The Event" Recorded live in Alexandria, March 29, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, Fever, Band introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, Band solo's, Why Me lord, Bossom Of Abraham/You Better Run, How Great Thou Art, Hound Dog, Can't Help Falling In Love, Closing Vamp.

"From Louisiana To Tennessee" (Rock Legends) Recorded live at Alexandria, March 30, 1977; Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, Fever, Love Me Tender, Hurt, Hound Dog, Danny Boy* (Performed By Sherill Nielsen), Walk With Me ** (Performed By The Stamps), Blue Suede Shoes, Can't Help Falling In Love.

March 31 Baton Rouge, this last day of the tour was canceled.

April 21 Greensboro, North Carolina. 16,565 fans. Elvis wore his "Mexican Sundial Jumpsuit"

April 22 Detroit, Olympia Stadium. 15,600 fans. Elvis wore his "Mexican Sundial Jumpsuit"

April 23 Ohio, Centennial Hall. 9,322 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"When The Crowd's Going High" Recorded Live in Toledo, Ohio, April 23, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen/I Got A Woman, Love Me (2 starts), If You Love Me Let Me Know, You Gave Me A Mountain (2 starts), Jailhouse Rock, O Sole Mio (Sherill Nielsen), It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, Fever, Polk Salad Annie, My Way, Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, Ronnie Tutt Solo, Jerry Sheff Solo, Hail! Hail! Rock'n' Roll, Hurt, Hound Dog, Can't Help Falling In Love, Closing Vamp.

April 24 Ann Arbor, Crisler Arena. 12,000 fans. Elvis wore his "King Of Spades Jumpsuit"

"Fort Baxter A Profile Box Vol.1"CD-4 Recorde Live At Ann Arbor, April 24, 1977; If You Love Me Let Me Know, You Gave Me A Mountain, Trying To Get To You, It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, Help Me, My Way, Polk Salad Annie, Hurt, Blueberry Hill*, Danny Boy**, Walk With Me**, Unchained Melody, Little Darlin', Can't Help Falling In Love. (* Recorded at West Palm Beach, February 13, 1977. **Recorded At St. Petersburg, February 14, 1977)

April 25 Michigan, Civic Center. 7,197 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Sixty Minutes In Saginaw" Recorded live at the Saginaw Civic Center, April 25, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Heartbreak Hotel, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, My Way, Introductions, Early Morning Rain, What'd I Say, Introductions, Hurt, Hound Dog, Hawaiian Wedding Song, Can't Help Falling In Love.

April 26 Michigan, Wings Stadium. 7,500 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Memories From Kalamazoo" Wings Stadium, Kalamazoo, April 26, 1977. The Tracks are; Love Me, Fairy Tale, If You Love Me, Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Big Boss Man, Heartbreak Hotel, Blue Suede Shoes, And I Love You So (False Start/Mike Problems), And I Love You So, My Way.

April 27 Milwaukee, Milwaukee Arena. 11,854 fans. Elvis wore his "Mexican Sundial Jumpsuit"

April 28 Green Bay, Brown County Veteran’s Memorial Stadium. Elvis wore his "Mexican Sundial Jumpsuit"

April 29 Duluth, The Arena. Elvis wore his "King Of Spades Jumpsuit"

"A Day In Duluth" Recorded live at the Duluth Arena, April 29, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Gat A Woman/Amen, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Elvis talks about covering high notes, Little Sister, Teddy Bear/Don't Be Cruel, Bridge Over Troubled Water, Big Boss Man, My Way, Introductions, Early Morning Rain, Band Solo's, Hail! Hail! Rock 'n' Roll, Hurt (with false start), Hound Dog, Can't Help Falling In Love.

April 30 St. Paul’s Civic Center. 17,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Rip It Up" Recorded live in St. Paul, April 30, 1977. This CD contains the following tracks; Opening Theme, See See Rider, I Got A Woman /Amen , Rip It Up, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Solo mio /It's Now Or Never, My Way, Hound Dog, My Heavenly Father, Polk Salad Annie, Introductions, Early Morning Rain, Band solo's, The Wonder Of You, Blue Suede Shoes, Hawaiian Wedding Song, Can't Help Falling In Love. Bonus songs; You Don't Know Me (Aug 14th, 1970), Crying In The Chapel (Aug 19th, 1975), Loving You (Aug 19th, 1975), Memphis Tennessee (July 22, 1975), Shake A Hand (June 6th, 1976), You'll Never Walk Alone (July 19th, 1975), Wooden Heart (Dec 13th, 1975), Such A Night (Dec 2nd, 1976).

"My Heavenly Father" Recorded live at St. Paul, Minn, April 30, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Rip It Up, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, My Way, Hound Dog, My Heavenly Father (sung by Kathy Westmorland), Polk Salad Annie, Band Introduction, Early Morning Rain/Band Introduction, The Wonder Of You, Blue Suede Shoes, Hawaiian Wedding Song, Can't Help Falling In Love, Closing Vamp/Elvis Has Left The Building, Bonus Song; The Lord's Prayer (recorded live in Nashville, May 16, 1971.

May 1st Chicago, Chicago Stadium. 20,00 fans. Elvis wore his "King Of Spades Jumpsuit"

May 2nd Chicago, Chicago Stadium. 20,00 fans. Elvis wore his "Mexican Sundial Jumpsuit"

May 3 Michigan, Saginaw Center. 7,197 fans, the last day of the tour. Elvis wore his "Mexican Sundial Jumpsuit"

"Springtime In Saginaw" Recorded May 3th, 1977, Saginaw Center, Saginaw, MI. This CD contains the following tracks; Also Sprach Zarathustra, That's All Right, Trouble, I Got A Woman/Amen/I Got A Woman, Love Me, Happy Birthday Linda, Big Boss Man (intro only), Hound Dog, Trying To Get To You, Jailhouse Rock, My Way, Little Sister, Teddy Bear/Don't Be Cruel, Help Me, O Solo Mio/It's Now Or Never, Love Me Tender, Why Me Lord, Polk Salad Annie, Introductions, Early Morning Rain, Introductions, Hail! Hail! Rock 'n' Roll, Danny Boy (Sherill Nielsen), Walk With Me (Sherill Nielsen), Mystery Train/Tiger Man, Can't Help Falling In Love/Closing Vamp.

May 20 Knoxville, Stokely Athletics Center. 13,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

May 21 Kentucky, Freedom Hall. 18,000 fgans. Elvis wore his "Mexican Sundial Jumpsuit"

May 22 Maryland, Capitol Center. 19,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Elvis Presley...Tonight; 8:30 p.m.." Recorded live at the Capitol Center, Largo, Maryland, May 22, 1977. This CD contains the following tracks; Also Sprach Zarathustra, See See Rider, I Got A Woman/Amen, Love Me, Fairytale, You Gave Me A Mountain, Jailhouse Rock, Funny How Time Slips Away, O Sole Mio/It's Now Or Never, Little Sister, Monologue, Teddy Bear/Don't Be Cruel, My Way, Introductions, Early Mornin' Rain, What'd I Say, Johnny B.Goode, Introductions, Hail! Hail! Rock'n' Roll, Danny Boy*, Walk With Me* (Sung By Sherill Nielsen), Hound Dog, Can't Help Falling In Love, Closing Vamp. Elvis wore his "Mexican Sundial Jumpsuit"

May 23 Rhode Island, Civic Center. 13,500 fans. Elvis wore his "Mexican Sundial Jumpsuit"

May 24 Maine, Augusta. Elvis wore his "Mexican Sundial Jumpsuit"

"Never Been To Maine" Recorded live at the Augusta Civic Center, May 24, 1977. This CD contains the following tracks; 2001 Theme, Never Been To Spain (one line only), I Got A Woman/Amen, Love Me, If You Love Me (Let Me Know), You Gave Me A Mountain, Jailhouse Rock, O Solo Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, My Way, Heartbreak Hotel, introductions, Early Norning Rain/What'd I Say/Johnny B.Goode, Band solo's, Hail! Hail! Rock'n'Roll, Hurt, Hound Dog, Can't Help Falling In Love, Closing Vamp, Announcements.

May 25 Rochester, Rochester War Memorial. Elvis wore his "Mexican Sundial Jumpsuit"

"Jailhouse Rock Man In Concert." Recorded live in Rochester, N.Y., May 25, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, Trying To Get To You, Danny Boy, Walk With Me, One Night, My Way, Early Morning Rain/What'd I Say/Johnny B.Goode/Hail! Hail! Rock 'n' Roll, Hurt, Hound Dog, Can't Help Falling In Love. Bonus Tracks; Carol Channing presents: Pure Elvis in "Spanish Eyes", The United States Air Force presents: Wolfman Jack Radio Show; Elvis in "Steamroller Blues" Elvis wore his "Mexican Sundial Jumpsuit"

May 26 New York, Binghampton. Elvis wore his "Mexican Sundial Jumpsuit"

"Why Me Lord" (Coast To Coast Vol.4). Recorded live in Binghampton, May 26, 1977. This CD contains the following tracks; 2001 Theme, I Got A Woman/Amen, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, Why Me Lord, Polk Salad Annie, Introductions, Early Morning Rain/What'd I Say, Johnny B.Goode, Band Solo's, Hail! Hail! Rock 'n' Roll, Hurt, Hound Dog, Can't Help Falling In Love, Closing Vamp.

"Unchained Elvis"(Krypton) Recorded Live at Binghampton, May 27, 1977 8:30 p.m. Show; 2001 Theme, C.C. Rider, I Got A Woman/Amen, Love Me, If You Love Me, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, Why Me Lord, Polk Salad Annie, Introductions, Early Morning Rain, What'd I Say/Johnny B.Goode, Band Solo's, School Days, Hurt, Hound Dog, Can't Help Falling In Love, Closing Vamp. Bonus Tracks; Heartbreak Hotel, Bridge Over Troubled Water, Unchained Melody (Recorded Live at Binghampton, May 27, 1977 8:30 p.m. Show).

"Send Me A Light...I Need It Bad" Recorded live in Maryland, May 27, 1977. This CD contains the following tracks; See See Rider, I Got A Woman/Amen, That's All Right, Are You Lonesome Tonight?, Blue Christmas, Heartbreak Hotel, Love Me, Jailhouse Rock, You Gave Me A Mountain, Danny Boy (sung by sherill Nielsen), Walk With Me (sung by Sherill Nielsen), Teddy Bear/Don't Be Cruel, Walk That Lonesome Road (sung by J.D. Sumner And The Stamps), My Heavenly Father (sung by Kathy Westmoreland), One Night, My Way, band introductions, Early Morning Rain, What'd I Say, Johhny B.Goode, Schooldays, Hurt, Hound Dog, Can't Help Falling In Love.

"Philadelphia '77" Recorded live in Philadelphia, May 28, 1977, This CD contains the following tracks; See See Rider, I Got A Woman/Amen, Love Me, My Way, Jailhouse Rock, You Gave Me A Mountain, What'd I Say, Band introductions, Johnny B.Goode, Hurt, Walk That Lonesome Road, Hound Dog, Can't Help Falling In Love, announcements. Bonus tracks; An American Trilogy, Never Been To Spain, You Gave Me A Mountain, A Big Hunk O'Love, It's Impossible, The Impossible Dream, It's Over (recorded live , February 14 and 17th, 1972), What'd I Say, Steamroller Blues (recordedin 1973, date unknown).

May 29 Baltimore Civic Center. Elvis wore his "Mexican Sundial Jumpsuit"

May 30 Jacksonville, Coliseum. 15,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"


May 31 Baton Rouge, 15,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

June 1st Georgia, Macon. Elvis develops a throat problem and doesn’t finish the show. Elvis wore his "Mexican Sundial Jumpsuit"

June 2nd Mobile, Alabama. Elvis wore his "Mexican Sundial Jumpsuit"

June 17th Hammons Center, Southwestern Missouri State. Elvis wore his "Mexican Sundial Jumpsuit"

June 18th Kansas City, Kemper Arena. 17,000 fans.

June 19th Omaha, Civic Auditorium. RCA and CBS-TV record the show. 10,064 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Candid Elvis On Camera" (Captain Marvel) Complete June 19, 1977, Omaha Concert; Introduction (By Felton Jarvis), C.C. Rider, I Got A Woman, That's All Right Mama, Are You LOnesome Tonight, Love Me, Fairytale, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, Jailhouse Rock, How Great Thou Art, Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, Band Solo's, I Really Don't Want To Know, band Solo's, Hurt, Hound Dog, O Sole Mio/It's Now Or Never, Can't Help Falling In Love, Closing Vamp. Elvis wore his "Mexican Sundial Jumpsuit"

"As I Leave You" (Ecolorado) Recorded Live In Omaha, June 19, 1977; C.C. Rider, I Got A Woman/Amen, That's All Right Mama, Are You Lonesome Tonight, Love Me, Fairytale, Little Sister, Teddy Bear, Don't Be Cruel, And I Love You So, Jailhouse Rock, How Great Thou Art, Band Introductions, Early Morning Rain, What'd I say, Johnny B.Goode, Band Introduction, I Really Don't Want To Know, Band Introduction, Hurt, Hound Dog, O Sole Mio/It's Now Or Never, Can't Help Falling In Love, Closing Theme, Rapid City Interview (June 21, 1977). Elvis wore his "Mexican Sundial Jumpsuit"

June 20 Lincoln, Nebraska, also filmed by CBS. 7,500 fans. Elvis wore his "Mexican Sundial Jumpsuit"

June 21 South Dakota, Rapid City. Also recorded by RCA and CBS. 10,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"Elvis Live In Rapid City" Recorded live in Rapid City, June 21, 1977. This CD contains the following tracks; 2001 Theme, See See Rider, I Got A Woman/Amen, That's All Right, Are You Lonesome Tonight, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Trying To Get To You, Hawaiian Wedding Song, Teddy Bear/Don't Be Cruel, My Way, Band Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, I Really Don't Want To Know, Introductions of Vernon, Hurt, Hound Dog, Unchained Melody. Elvis wore his "Mexican Sundial Jumpsuit"

"Elvis In Concert" Recorded Live at the Rushmore Civic Center, Rapid City, June 21st, 1977; 2001 Theme, C.C. Rider, I Got A Woman/Amen, That's All Right, Are You Lonesome Tonight, LOve Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, It's Now Or Never, Trying To Get To You, Hawaiian Wedding Song, Teddy Bear/Don't Be Cruel, My way, Early Morning Rain, What'd I Say, Johnny B.Goode, I Really Don't Want To Know, Hurt, Hound Dog, Unchained Melody, Can't Help Falling In Love, Closing Theme.

June 23 Iowa, Veteran’s Memorial Coliseum. 11,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

June 24 Cane County Coliseum. 10,000 fans . Elvis wore his "Mexican Sundial Jumpsuit"

June 25 Cincinnati, Riverfront Stadium. Elvis wore his "Mexican Sundial Jumpsuit"

"Since Cincinatti" (AJR) Recorded Live at the Riverfront Stadium, June 25, 1977; Gospel*, Gospel* (J.D. Sumner & The Stamps), Hot Hot Sunday, If You Leave Me Now (The Sweet Inspirations), Also Sprach Zarathustra, C.C. Rider/Dialogue, I Got A Woman/Amen, Love Me, If You Love Me Let Me Know, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio, Little Sister, Teddy Bear/Don't Be Cruel, And I Love You So, My Way, Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, I Really Don't Want To Know, Introductions, Unchained Melody, Hound Dog, Can't Help Falling In Love. Elvis wore his "Mexican Sundial Jumpsuit"

June 26 Indianapolis, Market Square Arena. 18,000 fans. Elvis wore his "Mexican Sundial Jumpsuit"

"The Last Farewell" (E.P. Records) Recorded Live On Stage June 26, 1977; 2001 Theme, C.C. Rider, I Got A Woman/Amen, Love Me Fairy Tale, You Gave Me A Mountain, Jailhouse Rock, O Sole Mio/It's Now Or Never, Little Sister, Teddy Bear, Don't Be Cruel, Release Me, I Can't Stop Loving You, Bridge Over Troubled Water, Introductions, Early Morning Rain, What'd I Say, Johnny B.Goode, I Really Don't Want To Know, Hurt, Hound Dog, Can't Help Falling In Love, Closing Vamp.

"Adios The Final Performance" (A.J. Records); 2001 Theme, C.C. Rider, I Got A Woman/Amen, Love Me, Fairy Tale, You Gave Me A Mountain, Jailhouse Rock, It's Now Or Never, Little Sister, Teddy Bear, Don't Be Cruel, Please Release Me, I Can't Stop Lovinf You, Bridge Over Troubled Water, Introductions, Early Morning Rain, Johnny B.Goode, I Really Don't Want To Know, Hurt, Hound Dog, Can't Help Falling In Love, Closing Theme.

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